Javelin
Maybe Ted
Williams couldn’t believe in God because he couldn’t believe he was God.
*
It has
become common today to dismiss God.
Conventional
wisdom has it that a higher power is either anthropomorphic or nonexistent.
Or, But you can substitute the word ‘reality’ if
you’d like.
*
When I
was a child, I thought Christ was being perpetually nursed back to health in a
dim lit room just beyond the altar.
*
Skeuomorph: an ornament or part retained from the original
design even though it is no longer needed for the function of the whole.
*
We stand
alone in the swamp in the rushlight. Each of us holding our own rushlight (animal
fat ablaze) or all of us crowding into the sphere of one rushlight. Either way.
*
One view
is that form produces wisdom and—formless—the wisdom of God must be resisted at
all costs.
Which recalls
the famous paradox: Nothing I say is true.
We must
continue to say the same thing in as many different ways as possible or say
nothing at all.
*
X is
mistaken because she overlooks ________.
________
is overlooked because she is mistaken for X.
________ ________ X
________ ________ ________
________ X X.
*
The
javelin flies through the air, like a sentence, each clause pushing it further,
additive, addictive, and, our comprehension, always a blur of what just was, always
anticipating the next space, as Mallarmé writes: “Meaning is transitional as it is transitory,” and the object enters
the ground like a breath, it enters with the soft sound of a javelin entering the
soft ground, and then the after-vibration of the thing, what no one in the
crowd can say for certain they ever really saw, sticking out, pointing back the
trajectory from where it came, to a figure who picks himself up off the ground,
his muscular shoulders hunched and appearing to sway from this distance, as he
reaches out for the clean white towel extended to him, Thanks, we imagine him mouthing to the boy, at least that’s the way
it looks from here.
*
One
implication of Simone Weil’s treatment of God as “infinitely far from us” is
that we can’t rely on, hide behind, or call on him to rush to our aid. He
exists, but not to intervene.
*
In the
rooms, they call it a “higher power” (or at the young people’s meetings: “hp”) and
there’s always someone to add to the end of their sentence: “in here now.”
*
Rivets.
A syrup
handle.
Boat
shoes.
Wax
dripping over the cap of a whiskey bottle.
*
Most
athletes will tell you prayer works.
While it
is true that most athletes are dumb, it does not necessarily follow that all
athletes are dumb.
*
Ted
Williams was a pilot.
*
I’m
afraid of good fortune because it’s not perfection.
*
There are
no atheists in foxholes.
*
Shadows
on the digital page I write this on.
Serifs on
this F.
Body
hair.
Wisdom
teeth.
The male
uterus and nipples.
The pinky
toe.
*
“Impossible”
some will say. “You must be reading the research selectively.”
*
Yet sober
analysis of the matter reveals love.
*
And
someone stood up and said, “I’ve been working on what’s called javelin
prayers—short, one sentence meditations to help focus—or point—our attention, like the Serenity Prayer.”
*
Pink
pills, beige pills, white pills… I mean ‘supplements.’ What’s outside?
*
It begins
with parking lots and sidewalks. Being made to go outside to clean after the
dog and pick up the debris that’s blown against the fence. (Candy bar wrappers.
The faded top of a dryer sheet box with a cuddly bear on it.) And then begins the
park we’re told never to go in alone.
The starting
place for a world never to go in alone.
*
My sister
says that when she left to visit me in Seoul for a month, my grandmother told
her, “Don’t talk to anyone.”
*
Let us
love the best in others—and never fear their worst… in here now.
*
The worst
is what we can’t imagine in those who mean us no harm… in here now.
*
The
constant of every hypochondriac: that they have a rare disease that is slowly
but progressively compromising their minds and bodies and when someone—if something—ever
diagnoses them it will be too late: the body as a park space.
*
Of
course, many will disagree with this assertion, stating that hitting for
Williams was a religion, as with Chagall, who said, “I am a mystic. I don’t go to a church or the synagogue. For me, working
is praying.”
*
“Granddad says that only now, at the age of
eighty-six, has he lost his faith. Maybe that’s also grace, to cast off all
supports and learn to walk, to keep on even without the gift of faith, in
darkness. Since that’s how we have to enter death.” —Anna Kamienska
*
The
javelin flies through the air—after half a million years not a fleck of waste
or ornament, slightly front-weighted, spinning several times per second, glinting
sunlight back at the crowd who hold a collective breath, then breathe, then
hold it again as the perfect object reaches its apex in the sky and tilts
toward a descent.
*
It’s true
what you heard about Ted Williams’s head.
so much to love in all of this, especially this: "When I was a child, I thought Christ was being perpetually nursed back to health in a dim lit room just beyond the altar." and this:"Skeuomorph: an ornament or part retained from the original design even though it is no longer needed for the function of the whole."
ReplyDeleteThe way the various recurring topics are braided together--the javelin sections, those about Ted Williams, the discussions about God--gives a very effective structure and rhythm to this that makes some of the individual passages that don't recur stand out in a very singular way (I'm thinking about the fill in the blank section and the one beginning "Rivets..." and especially the skeuomorph examples--"shadows on the digtal page I write this on, serif on Fs...") that one can't help "noting" them and seeing the whole piece as a whole piece, not as random note-taking.
ReplyDeleteParts of this poem are driving me a little crazy, they are so good. Also: the form is fascinating. It's like a constellation! (I'm not sure what I mean by that yet.) one of the things that's so effective here, I think, is God as a subject in this form... How god gets touched into each piece, etc.
ReplyDelete